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Teamwork Survey by Tuckman’s Model Analytical Essay

Table of Contents Introduction

Stage of the Team

Summary

Reference

Introduction The stage of development in teams usually defines their future. Any team that is able to identify its stage of development goes on to succeed since, they know where they are and what they need to move on to the next level.

Most of the times teams ignore activities such as evaluation of their progress and at times they do it as a routine without the intention to accept or act on the results. Nonetheless, it is quite important to note that the more a team’s or a group’s performance is evaluated, the higher their chances of improving.

Several methods and models have been brought forward to help in team evaluation and development, among these include Tuckman’s model, which has helped determine the stages of numerous teams and groups. This paper will endeavor to evaluate this group using Tuckman’s model (Clark, 2010, p. 1).

Stage of the Team Tuckman formulated a teamwork surveying model, which has been used by several groups to determine their level of developmental stage. The model is designed to spot the current stage of a team or a group.

The model is designed in the form of a questionnaire, each question has at least a point, which range from 1 to 5. The scores awarded are based on behavior of the team. These points are then summed up to determine the stage of a team.

According to Tuckman’s model, there are four stages of a team, these are Forming, Storming, Norming and Performing stages. The lowest attainable score is 8 and the highest is 40. The rules governing determination of a stage states that the highest score of the four stages gives the most likely stage of a group, while the lowest gives the least possible stage.

In addition, a team is considered to undergo transition when two scores are very close, unless they are both high in forming and Storming stages or in Norming and Performing stages, in which case, they will be considered as Storming stage or Performing Stage respectively.

Get your 100% original paper on any topic done in as little as 3 hours Learn More Lastly, in case all scores of the four or at least three stages are almost similar, then the team is considered volatile, or without clear perception, in most cases it would be the storming phase (Clark, 2010, p. 1).

According to the questionnaire filled in Tuckman’s model, this group attained the following results. Forming stage (22 points), Storming stage (23 points), Norming stage (30 points) and Performing stage (38 points).

These scores show that the team is in the Performing stage, since the highest score is 38 and the highest possible points are 40. At the same time, when both Norming and Performing scores are checked, they are all high.

The close scores between Forming and Storming are therefore less important since there are high Norming and Performing stages. Moreover, it is also important to note that according to Tuckman’s model, any score above 32 points indicates the highest probability of the stage of a team (Clark, 2010, p. 1).

Performing stage is the fourth level of group progress. At this stage, our focus is to offer the best teamwork ever. It is characterized by productivity, harmony and participative leadership among others. Creativity is the main driving tool at this level with all participants focused on how to further this development (Clark, 2010, p. 1).

Summary Several methods and models have come up for use in determining the levels of development in teams. Among them is Tuckman’s model, which was used in identifying this group’s stage. The highest score was 38, consequently the stage of the group is the Performing stage, which is the best of them. The focus at this stage is to offer the best teamwork ever (Clark, 2010, p. 1).

Reference Clark, D. R. (2010). Leadership Activities: Teamwork Survey. Retrieved from http://www.nwlink.com/~donclark/leader/teamsuv.html

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Philippe Starck as the Great Designer of the World Opinion Essay

Nursing Assignment Help For the French, the world widely knows them better probably in design, art and fashion. For years now, the French have almost taken a leading role as market leaders in the clothes, hotel, art, winery and cooking industries not to mention natural sciences and philosophy.

Although France may not exclusively claim for the one of the best positions in the world in comparison to other giants like Spain, Italy and Britain, it however warrants its own space and mention in such a work. Emanating from this view, France therefore comes into light though in general.

In specific terms though, France as a nation has got nothing to take credit for unless in the dissection of its citizenry and great individuals who have poised it to the tip of the mountains. In this respect therefore this work focuses on Philippe Starck among the many great designers of the world and from France.

Philippe Starck was born in Paris in January 18th 1949 to an inventor and aeronautic engineer father. It is through his father’s works and life that he desired to become a designer and creator thus the birth of the New Design Style genius Starck. Born almost immediately at the end of World War II, Starck’s arrival could not have been any better.

At this period design had come far back from the Industrialization period. In the course of development, design had started from simple carpenters using hands to industrial designs using the invented machines each unique era characterizing its own genius behind.

Starck who had already started ‘designing’ as a child besides his father thus was educated at the Ecole Nissim de Camondo in Paris (Hauffe, pg 164). In his pre star years, Starck worked to produce inflatable designs in the notion that they are usable and must not extend to the higher levels of live that a common person may not afford.

The difference between him and other designers of his or before his time was that he was interested in designing for the mass rather than for the elite. In this concept therefore, Phelipe acted and doubled as his own marketing manager without paying fro such profession as is often the case as others.

Get your 100% original paper on any topic done in as little as 3 hours Learn More Dealing in products and goods that had an impact to every day house hold usage and significance endeared him to the world and thus he won many hearts. Notable among such was the French President Francois Mitterrand who he designed for the interior private Elysee apartments thus propelling Starck to his heights in his career.

In 1969, after a stage of probably trial with bad boy reputation and after a stint in designing houses and imitations he become of his own class and he set up his first firm. In the combination of style, streamlining and organic look Starck has had this rarity of making unusual materials work together like plush fabric combining with chrome or glass joining with stone.

Starck as he was insatiable to national and international recognition could not be destined for great things. Starck has set himself apart a star designer who despite being pleasant in his works includes practicality, simplicity and beauty as one piece of aesthetics easily noticeable.

His career as art director would lead him to owning his company in 1979 after years of designing inflatable objects. Starck’s drive all along can be explained by the fact that he spent years in his father’s workshop and under his drawing board thus ideas in aeronautics and science have greatly shaped his view.

As Houze and Lees-Maffei (46) postulate, the coming into existence of this great star is warranted and accountable back from his childhood and thus shapes his current status as a star designer.

By 1980s shortly after founding his Starck Company, he already had gotten international recognition as an expert interior designer, architect, ecologist and hotel designer, furniture guru and other usable objects like kitchen utensils, computers door handles and frames.

In the famous Juicy Salif design Starck inverts the conventional way of extracting juice from a lemon to Alessi’s behest stunning him and the world. Starck is into an opposite thinker but fits perfectly in his view.

We will write a custom Essay on Philippe Starck as the Great Designer of the World specifically for you! Get your first paper with 15% OFF Learn More Though drawing criticisms from such geniality use of his talents, Starck has not stopped with a one hit wonder. This was just the case for personal request specifications not to mention others.

As an artist he rises above the par on the context that he is interested with the usable real designs and thus solves or seems to, the world challenges in such refined brilliancy and finesse. In the ensuing challenges of political, economic, moral and social perspectives Phelippe’s work is apparent in a unique yet desirable way.

Starck’s personal life as an international expert is also characterized by the same flair he has in his work. He has got homes in Italy, France, Britain and America. And as if this is not enough Starck’s marriage life spans in the same formula. He has been married about four times siring four children. He has been a lucky parent in the sense that one of his children has taken after him and this is just a chip off the old.

Looking at him as an interior designer he designed the interiors of La Main Bleue” bar in Montreuil in 1976 and “Les Bains Douches” in Paris in 1978 and later the Café Costes in 1984 and this augured well with his already international reputation on the world stage. He has not stopped and seems filled by demons that take him higher and higher in this career.

One after the other Starck would combine forces with an entrepreneur Schrager to re-invent the Royalton and Paramount Hotels in New York.

These hotels captivating appearance and the seeming invitation to pleasure and relaxation have served as a mark of excellence in the hotel industry attracting international and even royal personalities for pleasure and even design. Keeble and Sparke (223) describe his work as mismatched furniture and yards of fabric combined beautifully with spaces of lightness and darkness that is worthy of a stage.

On this note Starck occurs as a designer who escapes criticism due to his high level understanding of images, shape and colour in the making of interiors.

His is a combination of design, decoration, ensemble and celebrity spiraling away and breaking from academics and traditions to bring home special natures of designs that allow designing its fresh approach and frees from age old traditions thus new design style (Keeble

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